20th Century Boys Part 1 (2008) March 4, 2009
Posted by ayasawada in Film, Manga.Tags: 20th Century Boys, Film, Japanese movie, Manga, naoki urasawa
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Twentieth Century Boys is perhaps one of the most famous manga, if not literature, in Japan. Widely praised and penned by the ‘master of the thriller’ Naoki Urasawa (who wrote Monster amongst other titles) it is now the biggest budget movie in Japanese cinema history, with the story being adapted into a trilogy of films, each released over a 12 month period.
The story revolves around a group of old school friends who discover that an apocalyptic scenario they wrote as children seems to be coming true. The scenario features everything from bombings and killer viruses to laser guns and giant robots. All the while, Japan comes under the grip of a mysterious cult led by ‘Friend’, a masked man who uses the same symbol the kids once adopted. And at the centre is Kenji, a washed out wannabe rock-star, who may be world’s only hope.
It’s a densely plotted, multi-stranded, multi-flashback, multi-character thicket of a thriller spanning some 22 volumes. Quite how that’s going to pan into nine hours of cinema will be interesting to see, but it seems to be going well so far.
(WARNING: Minor spoilers ahead)
タイヨウのうた (Song of the Sun) November 24, 2008
Posted by ayasawada in Film, Music.Tags: Film, Japanese movie, Yui
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- Poster
In keeping with my Yui-fest this month I finally got around to watching her feature film debut, Taiyo no Uta, which I picked up on DVD in Malaysia over the summer.
The story is about Kaoru, a teenage girl with the rare xeroderma pigmentosum (XP) disease. Since UV light would kill her (or at least accelerate her nervous system’s breakdown) she sleeps in the day and lives at night, writing songs and playing her guitar. In between sunset and sundown she watches a young boy she’s interested in from her hill-top home, wishing she could one day meet him.
Of course, she gets the chance and that’s when things change, for better and for worse. And yes she does sing live and record a CD and all the other cliches you would expect from this sort of movie, especially a Japanese one. But cliched as it is, it is really sweet and done in good form. There were few moments I found really cringe-worthily melodramatic, which is more than can be said for some Japanese movies I’ve seen, and overall I thought the story was portrayed really sensitively and well. It helps that it’s all reasonably slow moving and good natured with decent, if not really outstanding, performances from the cast.
What you really want to know is if Yui can act. IMHO, despite the potentially melodramatic plot, she doesn’t really have to stretch any acting muscles that hard in this and is her usual semi-reserved self (some would call it bland. Not me — I love Yui!). It’s sweet for the right moments and of course she really comes into her own in the singing parts. Look out for the Yokohama street live with Skyline, and you’re guaranteed to have Goodbye Days (the signature track) playing on repeat for days after seeing this.




