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Lalapipo (2009) November 15, 2009

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There are only two types of people in the world, those who take chances and those who don’t. The trouble is, more often than not, those chances still land you in a stinking pile of shit.

That’s essentially the premise of Lalapipo, the title of which alludes the ‘lot of people’ in Tokyo. It’s a film about the dead-end lives of several Tokyoites stuck in the city’s sex industry — that weird underbelly of Japanese society that’s seemingly always in your face, but which people try not to talk about in everyday conversation.

It’s perfect subject matter then for Tetsuya Nakashima (of Kamikaze Girls and Memories of Matsuko fame), who excels at bringing out the weird, funny, but painful, reality of Japan’s hopeless. (As it happens, Nakashima was just the screenwriter on this one, but his fingerprints are all over this. There’s even a car-crash scene in which one of the main characters gets tossed in the air à la Momoko in Kamikaze Girls).

(SPOILERS AHEAD) (more…)

Evangelion 2.0: You can (not) advance (Evangelion Shin Gekijōban: Ha) September 7, 2009

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While in Japan, I was lucky enough to catch the second Renewal of Evangelion movie at the Human Trust Cinema in Shibuya, Tokyo.

Evangelion Shin Gekijōban: Ha (Renewal of Evangelion: Ha or Evangelion 2.0: You can (not) advance as it is alternately known) is the next in GAINAX’s remakes/reimaginings/cash-in rip-off’s of their popular, controversial anime series.

Despite my misgivings about reanimating and redoing an otaku favourite, I was really impressed by the first film (Evangelion 1.0: You are (not) alone). Yes, the story was exactly the same as the first six or so episodes of the series, but it had been a long time since I’d rewatched the TV anime and the newly animated footage was stunning. To see everything rendered in new, 21st Century colours and CG was a treat for the eyes, and the story still holds — in some ways it was even better without the filler fluff that comes with a TV series.

Yet, while the story was essentially the same, it did hint at big changes to the original plot — Kaworu, for example, made a few taster appearances.

This is carried on in the second film, which while going through essentially the same hoops as the original anime, takes a different route in getting there.

(SPOILER ALERT: If you really don’t want to know, stop reading here) (more…)

Red Cliff Parts 1 and 2 (2008/2009) June 3, 2009

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John Woo returns to far east cinema with an ambitious take on a legendary Chinese tale. The Romance of the Three Kingdoms is a literary epic, at once China’s Shakespeare and Lord of the Rings, and a worthy source for the country’s most expensive movie to date.

The film(s) focuses on one of the most famous stories in the work, the Battle of the Red Cliff, when two of the kingdoms united to defend themselves from the Imperial Army. I’m not even going to try to summarise the plot. The word ‘epic’ also tends to mean convoluted mess of characters and subplots, so read the Wikipedia entry if you’d like to know the historical details. The significant factors are three outstanding leaders, two accomplished armies, a gang of legendary warriors and a war that may or may not have been started over a woman.

It’s so much that the film was released in two parts in Asia, but will be cut down for the West. That’s a good and a bad thing, in my humble opinion. On the one hand, it’ll help move things along. At times, Red Cliff does resemble a long, meandering period drama, and you could easily see this being a TV mini-series if Asia had a HBO equivalent. But while the condensed version will get you to the action quicker, it will lose the appreciation of politics, strategy and relationships that really make the story gripping.

Ashamedly for a Chinese person, I’m not exactly familiar with the Romance stories or the history of China. So I was fascinated by the tactical genius on display here (what can I say, I’m a sports fan too) and the mix of scientific knowledge, wisdom and brilliance that lent many of these great men an air of mysticism. Some aspects of the story have clearly been embellished for the screen (the idea of a princess undertaking a spy mission, is, quite frankly, ridiculous), but accepting that blend of history and fantasy that the likes of Lord of the Rings has brought us, it’s not really too much of a problem.

Of course, Lord of the Rings also brought us epic battles on a scale never before seen. Woo aims to repeat that, and possibly surpass it, on the Asian scene. The battles, particularly the finale, are drop dead spectacular and certainly rival anything Peter Jackson came up with. The fact that it’s elegantly choreographed martial arts may even push it ahead (and with John Woo’s trademark doves to boot).

The film(s) is beautifully crafted with an all-star cast (Tony Leung and Takeshi Kaneshiro to name just two) and high standards all round. It’s well-worth seeking out the two-part edition to appreciate this on all levels: action, drama and history. I certainly hope the single film edition will do well enough to warrant an ‘extended edition’ release in the West.

High Kick Girl (2009) May 24, 2009

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“The Japanese Karate Kid” was how this was billed, the other film I went to see at the Terracotta Festival. High Kick Girl is DV shot, low-budget and pretty much what you’d expect: high on action, low on plot, acting and drama. But it never pretends to be anything other than a all-action B-movie, and delivers all you could want on that account.

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Bi-mong (Dream) (2008) May 24, 2009

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I caught Kim-Ki Duk’s latest at the Terracotta Far East film festival, which took place in London this weekend. Having enjoyed the likes of 3-Iron and Spring, Summer. Autumn Winter… and Spring I was really looking forward to this. While I certainly wasn’t disappointed per se, I was left rather confused. But perhaps that is because of the very nature of the film, blending reality and dreams to the point where you’re not sure what’s ‘real’ and what isn’t.

The story follows Jin, a Japanese artist living in Japan, who’s been having disturbingly vivid dreams. Mysteriously, he finds that these dreams are being acted out by Korean hemstress Ran. The two are on opposite ends of a spectrum, jin still in love with his ex-girlfriend and Ran having just dumped a boyfriend she can’t stand. Their dreams are connected, the reason for which is unclear.

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20th Century Boys Chapter 2 (2009) May 11, 2009

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Last Monday, the second movie in the 20th Century Boys live-action trilogy received its UK premiere as the closing film of the Sci-Fi London Film Festival. I can’t tell you how excited I was about seeing it. After watching the first part back in November, I’d been eagerly awaiting the next installment and feared that the usual slow Japan to UK transfer would mean waiting a year for the second and third parts (if they appeared at all). Since then, the trilogy has been picked up for UK DVD release and Viz have finally started releasing the graphic novels. Relief all round for Naoki Urasawa fans. ^^

So how about the second movie? Well, it certainly had me on the edge of my seat throughout, if only because I really wanted to know what happened next. I did enjoy the film but, on first impressions, I also found it a little disappointing. But that shouldn’t take away from what is still a fabulously enjoyable film.

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A Tale of Two Sisters (2003) April 5, 2009

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I wrote a couple of months ago about discovering Kim Ji-Woon and my anticipation at catching up with his back-catalogue. A Tale of Two Sisters certainly didn’t disappoint.

The third biggest grossing film  in Korea, apparently, it is a marvelous modern take on an old Korean folk tale. It masquerades as a horror movie, but isn’t actually that scary and is more of a psychological thriller.

The story follows two young teenage girls, who return home after treatment at a mental institution. This stems from emotional issues surrounding their father’s remarriage and their mother’s suicide. Tensions remain with their emotionally distant father and selfish step-mother. Moreover, there is some kind of evil presence in the house.

SPOILER ALERT

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20th Century Boys Part 1 (2008) March 4, 2009

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Twentieth Century Boys is perhaps one of the most famous manga, if not literature, in Japan. Widely praised and penned by the ‘master of the thriller’ Naoki Urasawa (who wrote Monster amongst other titles) it is now the biggest budget movie in Japanese cinema history, with the story being adapted into a trilogy of films, each released over a 12 month period.

The story revolves around a group of old school friends who discover that an apocalyptic scenario they wrote as children seems to be coming true. The scenario features everything from bombings and killer viruses to laser guns and giant robots. All the while, Japan comes under the grip of a mysterious cult led by ‘Friend’, a masked man who uses the same symbol the kids once adopted. And at the centre is Kenji, a washed out wannabe rock-star, who may be world’s only hope.

It’s a densely plotted, multi-stranded, multi-flashback, multi-character thicket of a thriller spanning some 22 volumes. Quite how that’s going to pan into nine hours of cinema will be interesting to see, but it seems to be going well so far.

(WARNING: Minor spoilers ahead)

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Tokyo Sonata (2008) February 2, 2009

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The Sasaki family of Tokyo Sonata

The Sasaki family of Tokyo Sonata

I went to see Tokyo Sonata at the ICA on Sunday. It’s a beautiful film, though I guess a beautiful film about contemporary Japanese life is not so unusual.

The story follows the Sasaki family and how they each deal with life’s blows, particularly when Mr Sasaki loses his job, but decides to keep it a secret. Mrs Sasaki struggles with the suburban boredom of a dedicated housewife and a husband and two sons who keep their own secrets. The eldest son, Takahashi, is trying to figure out what to do with his life now that he’s graduating into adulthood. And the youngest, Kenji, doesn’t quite fit in, but finds solace in a sudden interest in music.

SLIGHT SPOILER WARNING

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The Good, the Bad, the Weird (2008) January 5, 2009

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I went to the ICA on Sunday to see a preview of the ‘oriental western’ The Good, the Bad, the Weird and boy was it excellent.

It’s a Korean production, big budget and extremely well shot. The plot builds on the basic premise of Sergio Leone’s The Good, the Bad and the Ugly (of course) with three main characters mixed up in a complicated plot, this one involving a treasure map and riches in Manchuria. But it fills this out with a hint of political intrigue with it’s setting around the time of the Japanese Manchurian occupation and the clash of Korean, Chinese, Japanese and others in Asia’s equivalent of the Old West. That and lots and lots of stunning action scenes.

The first half of the movie in particular seems to be a string of actions scenes, but impressively director Kim Ji-woon doesn’t allow the characterisation to suffer. You do learn a little more about our ‘heroes’ and their way of life as the film goes on, even if they are only as three-dimensional as an action-oriented Western will allow a character to be. In terms of the action, I was blown away by two sequences in particular: the opening train robbery (particularly the one-take follow of Yoon Tae-Goo as he heads for the front car and his target) and the shoot out in Ghost Market, with the unbelievably cool Park Do-won swinging around on ropes, shotgun in hand, picking off bad guys, whilst Yoon Tae-Goo wanders around with a diver’s helmet on.

Those two sequences were exquisitely choreographed and paced, and like the rest of the movie beautifully shot. The cinematography and framing really hit home as well, as I watched the end credits accompanied by still shots of the movie. And the music was superb. Ending felt like a little bit of a cop out to me, after building to the shoot out I was hoping for, but overall I enjoyed the film immensely.

I really can’t emphasise how cool this movie is and urge any fan of action or Asian cinema to see it. It’s my first pleasant surprise of the cinematic year and I can’t believe it’s taken me this long to see a Kim Ji-woon film. I’ll be seeking out A Bittersweet Life and A Tale of Two Sisters over the next few months.